| Agreed. I'm glad I'm not the only one who feels this way. Its a pity TF comics have gone so wrong in the last year. First IDW's main series, now this. All Hail Megatron was great! Why cant we go back to that?!? |
| You're sure in minority on this one. I think it means much to those of us who collected these back in the day. It reminds us of our roots in this franchise. I for, one am happy to see this. It's the dynamic polar opposite of modern IDW and Bayformers, and that's nothing but epic win. |
| Except that the dark tone of this fits very much in with the current flavour of IDW comics, and Furman was the architect of IDW's G1 line. I would say that this is far from being the "polar opposite" of IDW. It's more like returning to the source of it all (being apocalyptic UK-style Transformers). By today's standards, the art has a primitive quality to it (part of the appeal), but it's good to remember that this level of life and edge and stylistic expression was HUGE back in the day, when all we were seeing in the Marvel line was Frank Springer and Jose Delbo's mechanically cranked-out doldrums. Geoff Senior's distinctive "ugly" style made Transformers feel like a REAL comic, not just a half-assed licensed kiddie property with bland, lifeless art. zmog |
| Don't get me wrong, I love the old 1980s G1 comics -some are even amongst my absolute favorite parts of the TF universe...but those are the US comics. Where just like you say they feel like real comics. Compared to those, the UK comics just seem ugly. |

| This confuses me... the UK team basically took over the US run. What parts of the US run are you referring to? Also, even aside from generally having better stories (especially as Budiansky started to lose speed), the UK comics tended to look better than the US stuff on the art side, with more expressive renderings of the characters and incontrovertibly superior colours (which turned to crap in the US run, where the colours were alternately lazy or hideous). I'm just a bit uncertain what you're comparing things too here. zmog |
| Oh, I'm talking early runs here - I think 1-4 is in a category of its own, but the style I prefer is the one in #5 on and up until the headmasters. That to me is just beautiful artwork. Compare this cover with that of #5 for example, It's just on a whole different level. |

| That's the U.K. cover. The American version will have the smoke-stacks drawn shorter... |

| I love how Prime can get away with the stupid proportions and ridiculous anatomy because he's all boxy and nostalgic here, but you try the same thing with the movie forms or IDW's models and there's nothing but whinging and moaning about how the modern stuff sucks. |
| Seriously? You're using one of the most exceptional, unique, iconic painted covers in Transformers history to exemplify the whole early Marvel run, despite the fact that NONE of the interior art ever came close to looking that good? Are you kidding? At the time, my friends and I were ranting about how THIS was how TF comics "should look". Trust me, if they actually did look like that, I wouldn't be dissing early Marvel artwork. ![]() Much as I love them for nostalgic reasons, issues 1-4 of Marvel's Transformers had objectively TERRIBLE art. In general the early Marvel art ranged from mediocre to poor, with only the occasional bright spot. Issues #7-#8 were probably some of the best drawn in that stretch of the series. William Johnson drew TFs with an attention to detail, while never losing the sense of fluid gesture and personality. He would never work on the book again after that, sadly. For the most part, Marvel's art was just bland... this was something that was painfully obvious to me as a child at the time. I only had to pick up any other mainstream comic of the time and compare them... TF comics had weak art, usually because the artists had little idea how to draw dynamic robots with any amount of style. Which is not to say that all the UK stuff was universally great... but overall, I'd say it had a lot more style and panache than the US stuff. |