Transformers G1 Theme Composer Suing For Royalties

SUPREME COURT OF THE STATE OF NEW YORK
COUNTY OF ROCKLAND
Index No. 5192/00
Index No. 2821/02

*** PRESS RELEASE ***

December 7, 2006, Carmel, NY

After six years of grueling litigation and four appeals which were won by her in 2006, the composer of the well-known Transformers Theme, The JEM Theme and feature songs from the JEM TV SHOW, and several other American, pop culture musical themes and songs originally composed in the 80’s for HASBRO Toys and Entertainment Properties, is finally getting her days in Court at trial in a tiny courtroom in New York Supreme Court in Carmel, NY. Anne Bryant, the composer, is seeking to recover an accounting of and payment of both performance and publishing royalties she claims should be paid to her from the producer-publisher, SUNBOW PRODUCTIONS, NY [which is now owned by its parent company LOONLAND AG, Germany] for millions of CD, VHS and DVD sales and licenses which she says use her music without paying her the royalties she says she is owed. On the eve of the December 4th trial, Bryant says she suddenly received a small check from TV Loonland for "music royalties" but Bryant says, although it is an admission of responsibility, it is a mere drop in the bucket.

The composer is also suing her performing rights society BMI claiming among other things that it allowed changes to be made to her song catalog without her authorization.

According to Bryant, the long road to trial began when she discovered that her 100% composer’s share of the hugely valuable Transformers Theme music had been reduced to a small fraction in her BMI writer’s catalogue. BMI’s counsel, Judith Saffer argues that it is not possible for BMI to police the catalogues of its many affiliated writers because they have no way of knowing if the new registrations they accept for the same title are accurate. In Saffer’ view, it’s up to the BMI writer to bring a court action against another writer if there is an infringement. Bryant says that BMI’s stated position is to remain neutral but then asks why BMI would not protect its writers by at least checking with the original registrant when a song with the same title is later presented for registration. "Others are being unjustly enriched by my music," says the composer. "It appears to me that BMI writers cannot expect their works to be safeguarded by BMI"- a performance rights organization that represents more than 300,000 affiliated songwriters, composers and publishers. The composer also claims that because of BMI’s laissez faire position, these corrupted registrations have diminished her writer’s royalties across the board, finding their way into her SONY ATV catalogue, after Sunbow passed on the altered publishing catalogues to the mega-publisher. Bryant also claims that she is not given credit for her songs in three newlyproduced Transformers television series airing on The Cartoon Network.

The composer hopes to be made whole for the millions of dollars in back royalties due to her since 1994 for her many valuable themes. And with the DreamWorks TRANSFORMERS LIVE ACTION MOVIE [#1] scheduled for release on July 4, 2007, she also seeks to secure her professional screen credits, in the event that the Dreamworks movie uses her theme.

Bryant has been represented by Patrick J. Monaghan of Monaghan, Monaghan, Lamb & Marchisio a small New Jersey and New York firm. Monaghan has represented and won settlements in the past on behalf of the former managers of the artists Meat Loaf and Billy Joel in separate cases. Sunbow is represented by Gloria Phares, Esq. a partner in the New York law firm of Patterson, Belknap, & Webb. BMI is represented by its in-house counsel Judith Saffer, Esq. Bryant says she will sue anyone who is using her music without authority. "The Transformers best days are yet to come," she says. "I look to the Court to achieve justice and secure accurate royalty accountings and payments to me in the future." I have faith in the American judicial system and I am not going to be cowed into submission by a huge corporation with millions to spend on lawyers.

-From Seibertron.

Oy, this is difficult. On one hand, I want every artist to be recognized and get what he/she deserves. On the other hand, if she wins we'll probably never hear the TF theme again, not even a variation. Can't they just give her a few bags of money and be done with it?

My thoughts exactly.

Bye bye, any chance of hearing the TF theme or some variation thereof in the live-action movie.

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Wow. Millions of $$$? Really?

-airfox

Not counting the issues with the original 80s syndication, but remember season sales, the movie sales, usage of the theme on RID's commericials (but not on the cartoon), the usage of the core themes since 2002 with Armada, toy commercials, and numerous other uses in the past few years, much less if Steve Jablonsky uses any themes for the feature (alone worth thousands in screen credit).

Originally Posted by Grimlock 13 I'm not going to shell out import fees just because a toy is missing a blob of paint on its ass.

Well, honestly, I wish her luck. I hope it doesn't kill off the use of the theme in future, but at the same time, the artist deserves her due.

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Originally Posted by Lance Halberd Sol Fury can be likened to a German clock. A very exact, complex, and tightly-wound precision instrument that occasionally goes cuckoo.

I would assume she's shot herself in the foot, there. If she's that fiercely embedded in litigation over the rights to her various themes, I wonder if the folks involved in the Transformer films' music department will even be interested in seeking her out. I'd assume that they wouldn't, what with this court offensive.

Wow. She should get royalties. The article kinda casts a greedy light on her though.

I blame Twin Twist.

You think this will really kill the theme in future TF history?

well Twin Twist is the source of all problems...

Originally Posted by thenatureboywoo Don't challenge my stupidity